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Version 1.0 August 2002 EUROPOWER ® www.behringer.com ENGLISH PMX2000 Users Manual EUROPOWER PMX2000 SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: All the safety and operation instructions should be read before the appliance is operated. Retain Instructions: The safety and operating instructions should be retained for future reference. Heed Warnings: All warnings on the appliance and in the operating instructions should be adhered to. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosurevoltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.
Follow instructions: All operation and user instructions should be followed. Water and Moisture: The appliance should not be used near water (e.g. Near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, near a swimming pool etc.). Ventilation: The appliance should be situated so that its location or position does not interfere with its proper ventilation. For example, the appliance should not be placed on a bed, sofa, rug, or similar surface that may block the ventilation openings, or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.
Heat: The appliance should be situated away from heat sources such as radiators, heat registers, stoves, or other appliances (including amplifiers) that produce heat. Power Source: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance.
Grounding or Polarization: This device must be grounded. Power-Cord Protection: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords and plugs, extension cords and the point where they exit from the appliance. Cleaning: The appliance should be cleaned only as recommended by the manufacturer. Non-use Periods: The power cord of the appliance should be unplugged from the outlet when left unused for extended periods of time. Debris and Liquid Entry: Care should be taken that debris and/or liquids do not enter the enclosure through openings. Damage Requiring Service: The appliance should be serviced by qualified service personnel when: s The power supply cord or the plug has been damaged; or s Debris or liquid has entered the appliance; or s The appliance has been exposed to rain; or s The appliance does not appear to operate normally or exhibits a noticable change in performance; or s The appliance has been dropped, or the enclosure damaged.
Servicing: The user should not attempt to service the appliance beyond that which is described in the operating instructions. All other servicing should be referred to qualified service personnel. 2 EUROPOWER PMX2000 FOREWORD Dear Customer, Welcome to the team of EUROPOWER users and thank you very much for expressing your confidence in BEHRINGER products by purchasing the BEHRINGER PMX2000. It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of hard work delivered by our engineering team to reach a very ambitious goal: to present you with an outstanding power mixer that gives you maximum flexibility and performance with its unique sound character and broad range of functions. The task to design the new PMX2000 certainly meant a great deal of responsibility, which we assumed by focusing on you, the discerning user and musician. It also meant a lot of work and night shifts to accomplish this goal. But it was fun, too.
Developing a product usually brings a lot of people together, and what a great feeling it is when everybody who participated in such a project can be proud of what weve achieved. TABLE OF CONTENTS 1. 4 1.1 Before you get started. 4 1.1.1 Shipment. 4 1.1.2 Initial operation.
4 1.1.3 Warranty. CONTROL ELEMENTS. 4 2.1 Front panel. 4 2.2 Rear panel. EFFECTS PROCESSOR.
7 4.1 4.2 4.3 4.4 Mains voltage. 7 Mains connection. 7 Audio connections. 7 Loudspeaker connections. WIRING EXAMPLES.
10 It is our philosophy to share our joy with you, because you are the most important member of the BEHRINGER team. With your highly competent suggestions for new products youve greatly contributed to shaping our company and making it successful. In return, we guarantee you uncompromising quality (manufactured under ISO9000 certified management system) as well as excellent technical and audio properties at an extremely favorable price. All of this will enable you to fully unfold your creativity without being hampered by budget constraints. We are often asked how we can make it to produce such high-grade devices at such unbelievably low prices. The answer is quite simple: its you, our customers! Many satisfied customers means large sales volumes enabling us to get better conditions of purchase for components, etc.
Isnt it only fair to pass this benefit back to you? Because we know that your success is our success, too! I would like to thank all people whose help on Project PMX2000 has made it all possible. Everybody has made very personal contributions, starting from the designers of the unit to the many staff members in our company and finally to you, the user of BEHRINGER products. My friends, its been worth the trouble! Thank you very much, Uli Behringer + CAUTION! Please note that high volume levels may cause permanent damage to your hearing and/or your headphones.
Turn all LEVEL controls to the left before you switch on the unit. Be sure to keep the volume at an appropriate level.
3 EUROPOWER PMX2000 1. INTRODUCTION 2. CONTROL ELEMENTS Congratulations! With the PMX2000 you have acquired a state-of the-art 10-channel power mixer that sets new standards.
Right from the start, our goal has been to design a revolutionary device that can be used for a great variety of applications. And indeed, this overwhelming power mixer gives you plenty of functionality and a broad range of connection and expansion options. BEHRINGER is a company with its roots in professional recording studio technology. For many years now we have been successful in developing products for studio and live use. These include microphones and 19' devices of all kinds (compressors, enhancers, noise gates, tube processors, headphone amplifiers, digital effects devices, DI boxes, etc.), monitor and P.A.
Speakers and professional live and recording mixers. Our entire technical know-how has gone into your PMX2000.
+ 2.1 Front panel Your EUROPOWER PMX2000 comes with ten input channels, which only differ in terms of pad switch, peak LED and interface panel. Since the EQ, effect, monitor and level controls are identical on all channels, they will be described only once on the enclosed sheet. + Please note that the effects processor is muted as long as the FX TO MAIN control ( ) is set fully counter-clockwise. The HI control in the EQ section governs the high frequencies of the respective channel. Use the MID control to boost/cut the mid range. This manual first describes the terminology used, so that you fully understand the PMX2000 and its functions. Please read the manual carefully and keep it for future reference.
The LOW control allows you to raise or lower the bass frequencies. The MON control determines the channels volume assigned to the monitor mix. 1.1 Before you get started Use the LEVEL control to set the volume level of the respective channel. 1.1.1 Shipment Use the PEAK LED to ensure that the input gain is set properly. The PEAK LED should light up only with peak signals, but never all the time. Your PMX2000 was carefully packed at the factory and the packaging is designed to protect the unit from rough handling.
Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage which may have occurred during transit. + The FX control determines the signal level that is routed from the respective channel to the built-in effects processor. The PAD button reduces the channel input sensitivity by 25 dB. Thus, you can also connect high-level line signals to the respective channel input. If the unit is damaged, please do NOT return it to BEHRINGER, but notify your dealer and the shipping company immediately. Otherwise, claims for damage or replacement may not be granted. This HI-Z/LINE input can be used to connect line level signal sources, such as keyboards, electric and bass guitars.
This is the channels balanced XLR microphone input. 1.1.2 Initial operation Be sure that there is enough space around the unit for cooling and, to avoid overheating, please do not place the PMX2000 near radiators etc.
+ + + Before you connect the PMX2000 to the mains, please make sure that the voltage setting on the unit matches the local voltage! + Please make sure that all units have a proper ground connection. For your own safety, never remove or disable the ground conductor from the unit or of the AC power cord. 1.1.3 Warranty Please remember to use either the microphone or the line input on a specific channel.
Never use both at the same time. This rule applies to chanels 1 - 9. When you connect a mono line signal to channels 7 - 9, please always use the left input. The mono signal will then be reproduced on both stereo sides.
The TAPE/LINE IN RCA input of channel 10 allows you to feed in external stereo signals from your CD player or tape deck, for example. Blown fuses must be replaced by fuses of the same type and rating! Please refer to the SPECIFICATIONS for details. The EUROPOWERs serial number is located on the rear. Please take the time to fill in and return the warranty card within 14 days after the date of purchase, so as to benefit from our extended warranty.
Or register online at www.behringer.com. 4 + If you set the unit to a different mains voltage, be sure to use a fuse of the correct type and rating. Please refer to the SPECIFICATIONS for details.
The mains connection is made using the enclosed power cord and a standard IEC receptacle. It meets all of the international safety certification requirements. + The stereo line input of cannels 7 - 9 can be used to connect, for example, keyboards with stereo outputs or a stereo drum computer. + The TAPE/LINE OUT RCA output provides the stereo main mix signal of your PMX2000 and can be routed to, say, a recording machine. When the TAPE OUT signal is connected to a tape deck whose output signal is routed back to the TAPE IN on the PMX2000, feedback can be produced as soon as you start recording.
Be sure to interrupt the connection to the TAPE IN before recording! The phantom power supply provides the voltage necessary for the operation of condenser microphones. Use the PHANTOM POWER switch to activate the supply together for channels 1 - 9 (XLR connector). The LED above the switch is lit when phantom power is on.
This is the PMX2000s graphic stereo equalizer, which comprises two units and can be used to adapt the sound to the room acoustics. CONTROL ELEMENTS EUROPOWER PMX2000 s s The stereo equalizer is effective on the main mix when both units have been activated with the EQ IN buttons and the MODE switch is set to its upper position (LEFT/RIGHT). 2.2 Rear panel The mains connection is on a standard IEC receptacle. An appropriate power cord is supplied with the unit.
Before connecting the unit to the mains, ensure that the voltage setting matches your local voltage. Blown fuses should only be replaced by fuses of the same type and rating.
The stereo equalizer uses one unit each to process the main and monitor mix signals, if both units are on and the MODE switch is set to its lower position (MON/MAIN). Use the EQ IN buttons to switch the two equalizer units on or off. Use the POWER switch to put your PMX2000 into operation.
Press the RUMBLE FILTER button to activate the low-cut filter of channels 1 - 6. This filter eliminates unpleasant bass frequencies (e.g. Microphone pop noise). The FX TO MON control determines the effects intensity of the multi-effects processor as part of the monitor mix. Turn the control fully counter-clockwise to add no effect to the monitor mix. + The MONITOR LEVEL control adjusts the volume of the monitor mix.
Use the MONITOR LEVEL display to control the monitor signal level. The upper LED (LIM) lights up when the built-in limiter is activated, thus protecting against overload. With this MODE switch you can determine whether the PMX2000 works as a stereo amplifier (LEFT/RIGHT) or as a dual mono amplifier (MON/MAIN). Please note that the equalizer function also depends on this switch setting ). (see The FX TO MAIN control functions as FX return for the built-in effects processor.
Use this control to add the desired effect signal to the main mix. No effect signal is added when the FX TO MAIN is set fully counter-clockwise. The MAIN LEVEL control governs the overall volume of the PMX2000. + + + The MAIN LEVEL display reads the output level of the PMX2000. The upper LED (LIM) lights up when the built-in limiter is activated, thus protecting against signal peaks. Use the FX FOOTSWITCH jack to connect any commercially available foot controller.
It allows you to bypass the effects unit. This is the balanced MONITOR output of your PMX2000. Use it to feed an external monitor amp or active wedge. These two 1/4' TS jacks allow you to route the output signal to an external amplifier. This allows you to, say, use only the mixing and effect section of the PMX2000. The signal is taken pre-power amp. Of course, you can also use only the left jack as a mono output.
These two 1/4' TS jacks can be used to connect external signals, such as the main mix signal from an additional mixing console (pre-power amp). + + This is the RIGHT/MONO MAIN Speakon® loudspeaker output of your PMX2000, where you can connect the right loudspeaker of a stereo system. For this purpose, switch must be set to its upper position. If, however, you run set to its lower position), this a mono main mix (switch loudspeaker output provides the main mix signal in mono. The impedance of the loudspeaker connected here must not fall below 4 W.
The BRIDGE loudspeaker output allows you to combine the left and right stereo channel in one mono output, which is useful for applications that require the use of one loudspeaker only. To use the BRIDGE output, switch must be set to LEFT/RIGHT. Always connect the BRIDGE jack to a loudspeaker with a minimum impedance of 8 W! Please note that the power delivered to the speaker connected to the BRIDGE output is considerably higher than the power provided to the speakers wired to the parallel speaker outputs. Please read the information given on the rear panel of your PMX2000.
When using the BRIDGE loudspeaker output, NEVER use any of the other two connectors (RIGHT/MONO MAIN and LEFT/MONITOR) at the same time! This is the LEFT/MONITOR Speakon® loudspeaker output of your PMX2000, to which you can connect the left loudspeaker of a stereo system (switch set to its upper position). If you do a main mix in mono (switch set to its lower position), this loudspeaker output provides the monitor signal in mono.
The impedance of the loudspeaker connected here must not fall below 4 W. Information on how to properly connect your speaker with regard to polarity can be found on the rear of the unit (PIN assignment).
SERIAL NUMBER. Please take the time to fill in and return the warranty card within 14 days after the date of purchase, so as to benefit from our extended warranty. Or register online at www.behringer.com.
Here, you will find a list of all multi-effect presets available. This is the LED level meter of the effects processor. Please make sure that the clip LED lights up with signal peaks only.
If it is lit constantly, this indicates that the effects processor is overdriven, which can lead to unpleasant distortion. The EFFECT display reads the currently selected preset. Turn the PROGRAM control to select the effect presets. Press the control briefly to confirm your selection.
CONTROL ELEMENTS 5 EUROPOWER PMX2000 3. EFFECTS PROCESSOR A special feature of your PMX2000 is its built-in multi-effects processor that features the same audio quality as our renowned 19' effects device VIRTUALIZER PRO DSP2024P. The processor comes with 99 different standard effects such as reverb, chorus, flanger, delay, vocal distortion as well as various effects combinations.
Cathedral: Simulates the dense, long reverberation of a large cathedral, which is appropriate for solo instruments or vocals in slow pieces. Please choose between two variations. Plate: Simulates the sound of plate reverberators and hence is a classic for drums (snare) and vocals. In comparison with the first variation, the second one features more high-end sparkle. Concert: Here, you can select between a small theater and a large hall.
Although this program is similar to studio (see below) it features more presence which adds to its lively character. Stage: Is well suited to dissipating the sound of a keyboard or an acoustic guitar. Room: You can clearly hear the walls of the room. A useful program for reverb that isnt directly noticable (rap, hip hop vocals) or to make dry recordings of instruments sound natural again.
Studio: This simulation of a middle to large-sized room is also available in two variations. Both variations sound very natural. Very all-round effect. Small Hall: Simulates a small, lively (strongly reflecting) hall and is perfect for processing drums. Ambience: Reproduces a middle-sized room without late reflections. Early Reflections: The initial reflections of this room are clearly audible. This effect is a classic for dynamic signals (drums, percussion, slap bass etc.).
Spring Reverb: Simulates a classic spring reverberation. Gated Reverb: This effect synthetically cuts off reverberation after a period of time. It is famous in the song In the Air Tonight by Phil Collins. The variations differ in the reverb length. Reverse Reverb: This is a reverberation in which the envelope is reversedit slowly gets louder. Phaser: With the phaser, a second, phase-shifted signal is added to the original audio signal. The resulting sound is thicker and above all livelier.
This effect is often used for guitar sounds and keyboards. In the 70s, it was also extensively used for other instruments like electric pianos. The PMX2000 offers you four different phaser variations. Rotary Speaker: The simulation of a classic effect that is normally generated with a very heavy enclosure comprising (slow or fast) rotating speakers. Delay: A delay of the input signal with various repetitions. Different tempo settings (ten variations in total) allow interesting delay effects.
Echo: Similar to the stereo delay, with the difference being that the repetitions have less presence. This simulates the character of the original tape echo that was used before the digital era and can be thought of as a Vintage Sound. Multi Tap: A delay effect with changing stereo positioning. Four variations are available. Chorus & Reverb: This algorithm combines the popular chorus with a reverb effect. Taking all variations into account, they differ in the length of reverb.
Flanger & Reverb: The combination of flanger and reverb effects. Phaser & Reverb: The combination of a classic stereo phaser and a reverb effect. Here, too, the phaser is combined with different reverb types. Rotary Speaker & Reverb: A real classic, the rotary speaker effect, is processed with a reverb effect. This effect works especially well with keyboards and guitars. Delay & Reverb: Delay and reverb is the most common combination for vocals, solo guitars, etc.
Pitch & Reverb: The pitch shifter slightly detunes the audio signal, while the reverb adds ambience to the signal. Delay & Chorus: While the chorus can contribute to a wideness of the signal, interesting repetition effects can be adjusted with the delay. Vocals can be given a distinctive effect without making the voice sounding blurred. Delay & Flanger: This effect is just right for creating a modern, slightly spacey vocal sound. Chorus: This effect slightly detunes the original signal. A very pleasant detune effect is created in connection with the pitch variation.
The chorus effect is quite often and extensively used for dispersing signalsin such a variety of applications that any recommendation would mean a limitation of their use. The variations available here range from slow to fast chorus effects. Symphonic: This effect creates the sound of an eight-person (!) vocal chorus. Flanger: The word flange means tape spool, and this explains the characteristics of the effect. Originally the flanger effect was generated with two tape recorders which ran synchronously. The same audio signal was recorded on both machines. If you put a finger on the left spool of one of the machines, the spool and the playback speed are slowed down.
The generated delay results in phase shifting of the signals. Please choose either medium flanger or one of the bright flanger programs, which feature an increase in presence. 6 Delay & Pitch: A repetition of the audio signal, with an oscillatory effect added by the pitch shifter. 3-Voice Pitch: The pitch effect can be used to produce a cartoon-character type voice effect.
LFO Bandpass: Filters, in general, influence the frequency response of a signal. A low-pass filter allows low frequencies to pass and suppresses high frequencies, while a high pass filter allows high frequencies to pass and suppresses low frequencies. This LFO bandpass effect is complemented by modulation due to a LFO (Low Frequency Oscillator). Vocal Distortion: This effect is very hip when used on vocals and drum loops. Vinylizer: This effect adds clicks and noise to your audio signal, simulating old vinyl records.
EFFECTS PROCESSOR EUROPOWER PMX2000 Space Radio: Here, the typical sound of scanning an FM tuner is simulated. This can be a very interesting effect when sound-tracking radio plays. Test Tone: Use this 1 kHz test tone to facilitate P.A. Level setting.
INSTALLATION 4.1 Mains voltage Before connecting the PMX2000 to the mains, please carefully check that your equipment is set to the correct voltage! Blown fuses must be replaced by fuses of the same type and rating! 4.3: XLR connectors 4.2 Mains connection The mains connection is made using the enclosed power cord and a standard IEC receptacle. It meets all of the international safety certification requirements. + Please make sure that all units have a proper ground connection. For your own safety, never remove or disable the ground conductor from the unit or of the AC power cord. 4.3 Audio connections The in and outputs of your BEHRINGER PMX2000 are designed as unbalanced 1/4' mono jacksexcept for the mono channel line inputs, which come as balanced 1/4' stereo jacks.
Of course, all in and outputs work with both balanced and unbalanced connectors. The tape ins and outs are on stereo RCA connectors. + Please ensure that only qualified personnel install and operate the PMX2000. During installation and operation, the user must have sufficient electrical contact to earth. Electrostatic charges might affect the operation of the unit. 4.4: 1/4' TS connector for footswitch 4.4 Loudspeaker connections Your PMX2000 is equipped with high-quality NEUTRIK NL4MP SPEAKON ® connectors which ensure safe and trouble-free operation.
The SPEAKON® connector was especially developed for high-power loudspeakers. Once it is plugged in, it safely locks into its position and cannot be accidentaly disengaged. It prevents the occurrence of electrical shock and ensures the correct polarity. Each of the SPEAKON® jacks carries only the assigned single signal (see tab. 4.6 and PMX2000 rear panel printing).
4.1: 1/4' mono plug Fig. 4.5: SPEAKON® connector Please be sure to only use commercial SPEAKON® cables (type NL4FC) for connecting your loudspeakers to the PMX2000. Please check the pin assignment of your loudspeakers and cables dependent on the PMX2000 speaker output you choose. 1+ RIGHT/MONO MAIN POS Fig. 4.2: 1/4' stereo plug 1- 2+ NEG - 2- LEFT/MONITOR POS NEG -BRIDGE POS - NEG - Tab. 4.1: Polarity configuration of speaker connectors 4. INSTALLATION 7 EUROPOWER PMX2000 Fig.
4.6: PMX2000 SPEAKON® connector assignment 5. WIRING EXAMPLES Fig.
5.2: PMX2000 as double mono amplifier (example) + + 8 For this application, however, please set the MODE switch to MON/MAIN! 5.1: PMX2000 as stereo amplifier (example) Please set the MODE switch for this application! To LEFT/RIGHT Fig. 5.3: Standard setup (example) 5. WIRING EXAMPLES EUROPOWER PMX2000 6. SPECIFICATIONS Mono inputs Microphone inputs Type Mic E.I.N. (20 Hz - 20 kHz) @ 0 Ω source resistance @ 50 Ω source resistance @ 150 Ω source resistance XLR, electronically balanced, discrete input circuit -122 dB / 125 dB A-weighted -122 dB / 125 dB A-weighted -121 dB / 124 dB A-weighted Frequency response.
Advanced room correction system with MEMS measurement microphone. Your room is the most critical piece of recording gear. When mixing, you need the most accurate representation of the sound your monitoring, but your room can color your mix in ways that will lead to you making misinformed mix decisions based on false frequencies caused by the room itself.
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This means that they are much more forgiving to “professional abuse” and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit. Trust Your Ears ARC simply takes your room “out of the mix.” Now you can explore your creativity and mix with confidence. ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.
Nearfield monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room’s sound, than the music being reproduced. An Affordable Solution Traditionally studio acoustics can be improved with acoustic treatments – but these are generally very expensive and require professional installation – which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems. ARC is designed to provide everything you need to turn any room into a place where serious music production happens.
Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps.
No rocket science involved. Do You Need ARC If Your Room Is Already Treated? With ARC you can improve the acoustics of ANY room.
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An untreated room will experience a dramatic improvement – but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.